We are now located in Tampa, Florida. Updates coming soon!
I was slapped around today and I deserved it
I headed out to my first job this morning and I received a facebook message from a contact. She was upset with me for not responding to her previous messages. She called me an ungentleman for ignoring her and told me she was leaving the group. WHAP! I took that to mean the fashion 315 group.
My first reaction was to respond with one my typical arrogant sarcastic responses and say something really smart ass and inflammatory. ” I didn’t realize this was a timed test. I usually do better on tests – Sorry, Epic Fail.”
After thinking for a while I did respond with a comment of “I didn’t realize this was a timed exercise”, but I wished her well and told her good luck – No sarcasm intended – I was being honest in wishing her well.
Then as I always tend to do when I receive criticism, I took a look in the mirror and I realized that she was right. I DO SUCK at follow through/followup. Here I am trying to start/run a business and someone sends me a message and I don’t even have the courtesy to respond. Well, I’m not a person who accepts excuses in other people and I try to hold myself to a higher standard, so I had to realize that the answer is “Yeah, I screwed up.” The truth is, I suck at following up with people, and there’s really no reason for it.
So, tonight, I’m going to get off my fat ass, and make sure I update everyone that I’ve missed over the last several days.
Oh, I removed the model from my friends list. I can’t work with her. I won’t out her by mentioning her name and I won’t ever tell who she is because I don’t work that way. See, I like people to give me head shots and tell me to get off my ass, but when we go from 0-witchy in 30 seconds I only see drama queen. Male or female.
Facebook & G+ are terrible Web pages for prospects. You can not edit or modify either page to display your content like you would want. Essentially, your content gets thrown on a busy screen that is full of other shit. Ads, commercials and content that you have no control over. Your images are as big or small as they want and your text content is either abridged or reduced to the size they want.
However on your own site, you can direct your clients to exactly what you want them to see.
So, why would you need or use Facebook or G+? Well, the easy answer is to funnel people to your true content – your Web page Each image or article that you put on your other pages should direct people back you yourname.com.
If you have a blog, post all of your content there. You can cross post to facebook and other pages and as always refer back to the original article and blog.
So, I’ve finished my brochure. It’s taken weeks. I’ve been very sick and had bronchitis on and off for the last 4 months. I wanted to finish this a while ago but only just got it done tonight. I’m looking forward to finishing a few other photo shoots and getting a bunch of CD’s out to models in the next week.
These are by other photo studios.
High quality BHTS video for a fashion shoot
A Great video on posing techniques
Also has some final shots in the video as well.
GQ Behind the scenes and interviews with models.
A video on how to pose for models. Just watch the movements.
Another behind the scenes video. I love their sets. FYI: No after shots but the video is quality
This is a how to pose video for models. It shows a variety of moves that can help in a photo shoot. Notice how the model transitions between moves.
The following information comes from various Web pages and helps to explain SOME of the basic elements of good composition & photography. These elements are true in all forms of photography whether it’s architecture, landscape, or photographing people & models. These rules are as old as paint and canvas and really stand at the core of how our eyes processes imagery. It should also be noted that you should also know when to break these rules.
RULE OF THIRDS The rule of thirds has been used through the centuries and is probably the most recognized rule. The rule of thirds directs that the frame can be divided into three vertical sections and three horizontal sections. Wherever the separating lines connect is an ideal spot for a subject or point of interest. By positioning your main subject at any of the four intersection points, you are giving your subject more emphasis than if it is right in the middle of the photo. The intersection points can also work if there is more than one main subject in a photo. Most famous photographs and paintings have the rule of thirds applied to them in some way or another
SIMPLICITY The simplicity rule directs that you should keep the items in your photo relatively simple. If your main subject is close to the lens, then your background should be very simple in order to avoid distractions. Another good idea is to avoid objects or lines that lead the eye away from your main subject.
CONTRAST The contrast rule directs that light subjects should be placed against dark backgrounds and vice versa.
FRAMING The framing rule directs that using natural surroundings mindfully can add more meaning and focus to your subject. The surroundings could be anything such as bushes, windows, trees or even a doorway. When using this rule be sure to focus on the main subject and not on the surroundings that are framing it. It is also a good idea to use a narrow aperture (high f/stop) when using this rule in order to create a high depth-of-field.
TEXTURE The texture rule can add a great amount of interest to most photos. When people see texture in a photo it can spark their imagination and make the photo more real to life. Texture would be a good idea when taking photos of rocks, walls, surfaces, hands or even leaves. In order to create texture try to compose your photo so the light is coming from the side and therefore casting shadows in key places.
DIAGONALS The diagonal rule directs that diagonal elements or lines can make a photo more dynamic. Diagonal elements could be fence posts, roads or even tree branches.
LEADING LINES The leading lines rule can be used to direct the eye deeper into a photo and commonly to the main subject. Leading lines can lure the eye to a subject by leading to it from any side or depth of the photo. Leading lines could be roads, rivers, tree branches or even bridges.
COLOR The color rule is what adds interest and emotion to your pictures. Different color configurations can inspire and amaze viewers. Colors can also be used to accent certain parts of a photo.
From Bob J About color: In some instances, the absence of color, through the use of black & white images can also create an emotion. Color creates an overall tone or theme, and effective use of color or black & white can set the tone or emotion of the image.
So, I’m editing old photos looking to put together a group of favorites. And this one came up. Anna was a sweetheart to work with. Originally from Rio, she lived here in Syracuse for a few years before moving back home.
I really love the lighting we did with this series. In color, it was very warm and even though I used these cold tones you can still feel the warmth of the photo and feel the emotion in her eyes.
When you ask a model to pose, I sometimes wonder who or what they are thinking of. This image is that sort of dreamy far away look that brings romance to mind.
In other images from this series, they made me think of Harlequin novel covers.
A Perfect Moment. Fiction
Her hometown of Rio is shrouded in a late afternoon haze. Sunset is close by and she walks the sandy beach, one hand on her light flowing dress as she walks along the shore. Gulls hover nearby searching for a snack or treat dodging in the wind.
She stops for a moment, closing her eyes and lifting her face to the gentle breeze. She smells the ocean scent, the tangy smell of salt on the air. Waves touch her bare feet but she doesn’t move doesn’t change the moment.
The water, falling in her hair sparkles with the last touches of the day’s sun. And then she faces out to sea, again closing her eyes and lifting her face to the sky as anther day ends.
I’ve been working on directing models lately and I think I’ve come a long way, but I still need to work on it some. I think I want to concentrate on expressions so I can help the models have more variety in their looks. If anyone has any ideas I’d really appreciate your feedback on helping the models with different looks and expressions.
Essentially, how do you take a girl who has never been a model and get her to look her best. To smile with her eyes and look alluring.
I’ve been having a few tough weeks with regards to being sick. I ended up getting 3 different colds one right after the other. This last one ended up moving into my lungs as Bronchitis and has really kicked my tail.
With all the junk in my upper lungs I’ve had wracking coughs that leave me nauseous and out of breath. Top that off with not enough sleep and I haven’t been treating myself very well lately. Most of my issues are over with and I’ve been forcing myself to go to bed earlier for the last several days.
I hate going to bed early because it always feels like I do more when it’s late than I do early or during the day.
MUA: +Rachael Keresey
Hair Stylist: Donna Latino
Art Direction: Lexy Page
Photography: Bob Jones
Many times, when I’m doing a photo shoot with the models, I’m already visualizing what tones would look nice with them. I don’t always like simple color or black and white. Often, when I shoot, I will preview capture in a toned color.
To my thinking, the red tones in this image capture an elegance and enhance the fire in her hair. Posing the model with her eyes closed creates a dream quality and the Dutch angle creates a tension and also ads to the surreal look.
Facebook. To me there are 3 kinds of people on facebook.
1. Potential clients. People who keep an eye on my work and want to work with me but don’t know how to ask. They are probably afraid I will judge them as not being good enough for my work. The truth is, I work with new people all the time.
2. People from a distance that like to keep up on what we’re doing. They look at my ideas and sometimes use them for inspiration – or even what not to do in a photo shoot – LOL
3. Guys who want to look at the pretty girls I work with.
How I see Facebook. I like to stay active on FB so I can keep people aware of me. I want to stay relevant in the industry in the CNY area. I accept most friend requests from potential clients, however if some guy tries to friend me from Canada, I will most likely ignore or delete the request as it’s a waste of my time. If you are someone I know or someone I SHOULD know, shoot me a message and I’ll add you, but for the most part, I’m not here to feed your need to see a pretty girl.
I also have a small niche of real “Friends” & “Family” there and I keep in touch with them.
What I’m looking for on Google+. The photography community is very active on G+ It’s very humbling to be on there and listen to well known photographers from Photoshop User magazine like Scott Kelby and RC Concepcione. These guys have the skills, knowledge and contacts that help me to learn as much as I can.
I think the thing I appreciate the most is their willingness to share and teach on a daily basis. These guys live and breathe what I love to do.
There are so many other people out there who have inspiring photos and are very skilled. It’s humbling to look at some of their work and the try to emulate their skills.
What I’m NOT looking for on Google + So, I get a lot of circle requests. I look at people and I have to decide if I want to add them. My main criteria is do they have an interesting and ongoing portfolio of work. If the answer is yes and it’s not just a bunch of snapshots of them and their drinking buddies, I will add them.
I also tend to go out and delete people who are no longer relevant or doing interesting work.
Show me a study in lighting and different expressions. I want to see passion and fire. It’s that unattainable something that stirs my creativity. I see it out there and hope that I can find it, but I never quite reach that point where I can feel it.
The hair and makeup are always perfect. You look beautiful and, I know it’s my own fault that I can’t quite get it, so I keep plugging away.
It’s a frustration. Frustration is good because it tells me there is something I can correct. But, I’m just not sure how to correct it.
Movement. I want a dancer who will dance like no one is watching. I want a model who smiles and cries and laughs and can do intense emotions in front of the camera.
I look at 1000′s of photos a week and still I can’t see that one thing I’m looking for. Many shots out there, take my breath away, but they’re not mine.
I want to be inspired. To look at my photos, and laugh and cry and feel intense emotion.
I don’t think anyone could have said this better. And while I’m not a farmer, I remember every time I heard this man on the radio, I stopped and listened.
I want to talk about how I find inspiration.
The fact is, I spend countless hours just looking at photograpgs & video. I look at various types of media including TV, magazines and the internet. So how does this spur creativity? Well, as I watch any tv show and youtube video, I try to watch for the artistic side. I notice lighting, composition and I observe how a scene goes together.
On the internet, I use various Web sites such as 500px. There are countless examples of great and inspiring photography there. This site is even better than sites like Flickr. The quality of photography is simply outstanding.
I collect great examples on my pinterest account – Visit here – to see my galleries. http://pinterest.com/rjones315/ Notice how organized these photos are. Each of them in only specific categories.
Someone who wants to be an artist needs to train their artistic eye. Look at thousands of photos and decide what they like about it. When you study a photo, ask yourself, what do you like about it and why. You should also ask yourself what you might do differently. Even small details like the position of the subject and the composition.
Another inspiration point is actually music. When listening to music I like to visualize a scene in my mind. How would you visualize the music and lyrics if you could create a music video?
How do YOU plan and execute your photo shoot? Here’s what I do with mine.
Choosing the right model
Concept: This part entails sitting down and deciding what genre I am going to do. All of my projects have a specific theme or concept. I use pinterest to really drill down and pick shots I want to do.
Lighting: I like to have a general idea for lighting. Some of my shots have 1 light, while others will have up to 10 lights. It helps to visualize the set and plan that out. Draw it etc.
Wardrobe: We have some in the studio, but for the most part the model will bring their own. One thing I try and do is have the model email me photos of their wardrobe – just so I know they understand my concept.
Hair and makeup go together. I try to pick the correct looks for each model. I’ll literally flip through hundreds of photos until I find one to use for inspiration. Of course, it helps that I have a really killer team for this.
Set design: This is where a lot of creativity comes into play. We use everything from a plain white background to a fake room in our studio.
Choosing the right model: This is harder than you think. Obviously, her look and personal style has to fit the theme of the shoot. Always discuss every aspect of a photo shoot and especially wardrobe.
Some other important parts of the photo shoot include the gear list – including the camera and lenses. Ladders and also food and water for the entire team. We don’t use a caterer, but we bring subs or pizza for a full day shoot. Sodas and water is always on hand. I like to ask the model what type of music will inspire her for the shoot. I like an upbeat tune and as long as it’s not too extreme like Marilyn Manson, I’ll listen to just about anything.
During our photo shoots, I’m usually running slide shows on my pc to keep us all on track and motivated.
This shot is from a recent trial/prac
When we held the trials, we felt that this model had a look almost too much girl-next-
For the setup, we used 2 lights. The main light was camera left with a large plm and a second light for fill with a softbox to the camera right. For some of the shots, we used a 22” beauty dish to the camera right. The background was white seamless paper, but we had her approximat
Lexy Page: Art Direction & Creative Consultant
Bob Jones: Art Direction & Photograph
In every photo shoot, there’s this one moment of perfect clarity. When the shutter clicks and the shot is just “THERE.” I look for that moment and it always happens when I’m totally in my head for the shoot.
It’s like walking through a rose garden in the autumn. When the flowers are all dried up and then you come upon 1 rose that continues to bloom.
Many times when I do these shoots, I switch to Black & white preview. I want to see what I’m capturing at the most basic level. All my images are in camera raw however so the color is captured as well. But this image just works so well in B&W.
Makeup: Jamie Sue
Hair & Hairpiece: Donna Latino
Set Design & art Direction: Lexy Page
This photo comes from the second model we are testing for an upcoming project. We are running a full-on test for an upcoming photo shoot.
I was having a bad morning. Me and Lexy were working full bore on our setup and it took literally several hours for the lighting to work out. Then we put the model on the set and in my mind the wheels came off. After shooting for a while, I let Lexy shoot her first sequence, but it was obvious that something wasn’t working for me.
After Lexy was done with her shooting, I decided to pull 90% of the set apart and rearrange the lighting slightly. I don’t get this way very often, usually it’s just a point of tweaking the lighting.
So, finally, after pulling everything apart, things just started to come together. We had her standing instead of siting in a chair and it just seemed to work better.
In this image I had pulled an image from the internet for inspiration. The lighting worked and the pose worked and finally it all came together.
Model: Erinn Wilcox
Makeup Artist: Rachael Keresey
Hair stylist and Hat designs: Donna Latino
Primary Assistant: Melanie Jones-Beauchesne
Set design & Art Direction: +Lexy Page